Faces And Hands Merge With Manuscripts In These Captivating Sculptures By Paola Grizi (20 Pics)

At first glance, her work feels surreal: a face rising from a slab that resembles a book, eyes closed as though lost in memory. Fingers stretch from textured surfaces that mimic parchment. Mouths seem to speak silently. These aren’t literal books, but they carry the spirit of literature, memory, and introspection.

Grizi’s sculptures don’t shout. They whisper. Every fold, every gesture, is deliberate and intimate. Her subjects appear to be dreaming, remembering, or listening to something just beyond reach. There’s a stillness to her work that invites you to pause, lean in, and almost read the sculpture like a poem etched in clay.

In an interview with DeMilked, Grizi shared insights into her artistic journey:

“I have been creating bronze and terracotta sculptures professionally for about ten years, but clay has been with me since childhood, when I shaped it for fun, unaware that one day it would become my expressive language. After studying literature and pursuing careers in journalism and teaching, fate led me back to the fascinating world of sculpture- this time with a newfound awareness. My challenge today is to bring lightness and dynamism to a static material, to thin the bronze, to set the clay in motion. My books and pages tell stories and emotions through enigmatic faces and engravings on time-worn sheets. The words are semi-legible, comprehensible only in the moment of creation.

Over the years, my technique has refined in a constant challenge against gravity. I rely on structures, supports, and a touch of audacity. But in the end, it is always the material that suggests the form. These are works that capture suspended moments, taking shape to be perceived not only by the eye but also by the soul.”

Though not made from real books, Grizi’s forms are heavily inspired by them: open pages, turning leaves, the textures of writing. Faces emerge from these book-like shapes, blurring the line between reader and narrative, body and idea. It’s as if thought itself has found a physical home in terracotta. Whether it’s a hand cradling a story or a face dissolving into imagined pages, each of these pieces captures something ephemeral: emotion, memory, silence. You don’t need to know the “story” behind them; you’ll feel it anyway.

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