Artist Creates Hyperrealistic Works That Are Both Detailed And Dreamy (10 Pics)

His paintings are not only technically flawless but also emotionally charged, drawing the viewer into quiet moments that feel both intensely personal and universally relatable. Whether it’s the luminous skin of his subjects or the delicate play of light and shadow, Grassi’s work hovers between the tangible and the dreamlike.

In an interview with DeMilked, Grassi opened up about his journey as an artist and how his background shaped his artistic voice.

How long have you been creating art?

“I would say I have always been drawing and creating. For a long time, however, I didn’t consider a career as a painter. I chose to study the conservation of old master paintings at the Academy of Fine Arts in Bologna, Italy. It was during my academic years that I actually started painting — about 18 years ago. After graduating, I managed to turn my passion into a job, and I couldn’t be happier.”

What influenced or inspired you to pursue this particular art form?

“It was a very natural and organic process. I was always surrounded by paintings, some dating back to the late Renaissance period. Italy is full of art in its many forms, but old masters are particularly revered. As a boy, I used to make little pencil sketches of my grandparents’ paintings. Figurative painting chose me — it wasn’t a conscious decision. I admired many painters, but the Renaissance masters were my favourites. I tried to understand their way of painting: the soft transitions between colours, the play of shades and light, and often their attention to detail. Gradually, I developed my own technique.”

Could you please share some insights into your creative process?

“Everything starts with an idea — usually something I care about or something that concerns me. At first, it’s a bit unclear, but as I think it over, it becomes more defined. I begin by making a lot of sketches, planning the composition, the model’s pose, the environment, and the color palette. Then I prepare the canvas and sketch the composition directly onto it. After that, I build the painting in several layers of color. Many people think the final details are the most important part, but without a good base underneath, they wouldn’t work properly.”

Grassi’s art is a perfect harmony of emotion, form, and finesse. His figures often seem to emerge from the canvas, yet there’s always an element of mystery — an unfinished sentence, a breath that hasn’t quite exhaled.

Here are some of his most stunning works, each one a quiet masterpiece:

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