12 Miniature Sculptures Showing Models Trapped In Technology By Thomas Doyle
Are we trapped by technology in a doomed adventure? The concept of a future dominated by technology looms large as rapid advances continue in the field. This sense of urgency is palpable in Thomas Doyle’s art, which features unnerving sculptures that depict a technological takeover.
Doyle’s miniature models, crafted at a scale of 1:43 and smaller, showcase his latest dystopian series, Clear History. These works draw parallels to classical Greek and Roman sculpture, but instead of idealised forms, they serve as warnings. In his unsettling portrayals, figures appear disrupted by technology. One particularly striking piece, titled “Clickthrough Rate,” depicts a woman holding a phone from which stabbing spikes pierce her face, a haunting reflection of the obsession creators have with achieving high engagement.
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#1 “Clickthrough rate” (2024), mixed media, 24 x 15 x 15 centimetres.
Image Source: ThomasDoyle
#2 “Opt in” (2024), mixed media, 20 x 20 x 20 centimetres
Image Source: ThomasDoyle
Through his art, Doyle emphasises the potential impact of technology on our culture—possibly 500 years from now—if we persist in integrating tech into every facet of our lives. His thought-provoking pieces aim to jolt humanity into contemplating the consequences of our actions. “I’m fascinated by the way we are hurtling toward what seems to be a new way of being human, leaping without looking, hoping for the best,” he observes.
#3 “Infinite scroll” (2024), mixed media, 22 x 13.8 x 13.8 centimetres
Image Source: ThomasDoyle
#4 “Bad gateway” (2024), mixed media, 20 x 17.5 x 17.5 centimetres
Image Source: ThomasDoyle
#5 “Temporary redirect” (2024), mixed media, 21 x 26 x 26 centimetres
Image Source: ThomasDoyle
#6 “We value your privacy” (2024), mixed media, 28 x 17.5 x 17.5 centimetres
Image Source: ThomasDoyle
#7 “Show hidden” (2024), mixed media, 28 x 30 x 30 centimetres
Image Source: ThomasDoyle
#8 “Session timeout” (2024), mixed media, 25 x 14.5 x 14.5 centimetres
Image Source: ThomasDoyle
#9 “Acceptance criteria” (2024), mixed media, 21 x 15 x 15 centimetres
Image Source: ThomasDoyle
#10 “Switch profile” (2024), mixed media, 20 x 12.5 x 12.5 centimetres
Image Source: ThomasDoyle
#11 “Rollback” (2024), mixed media / 20 x 16 x 16 centimetres
Image Source: ThomasDoyle
#12 “Use case” (2024), mixed media, 20 x 14 x 14 centimetres
Image Source: ThomasDoyle
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